Carrel was honoured by memberships of learned societies in the U.

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A very different Yusef Lateef piece from the last post - a dark conceptual work for quintet and orchestra from 1993. We'll get the composer to explain:Yusef Lateef said:1st movement excerpt1st Movement:The African as Non AmericanAs this movement opens you are taken back in time, about three hundred years, to the continent of West Africa.

You imagine that you are listening to the music of Yoruba, Hausa, Akan, Ewe, Senufa, Benin, Dahomey, Ebo or Ashanti people, etcetera. In other words, you are listening to a music which has its historical roots in the soil of Africa.In the 20th measure the violins enter on the note of D flat, one octave above high C.

Programmatically the violins represent the first slave ships, stealthily approaching the shore of West Africa. The high D flat continues, gradually increasing in volume and intensity. By teh 58th measure the D flat has reached an alarming medium forte. In the 59th measure the slavers land and commence to capture the Africans. At this instant the calmness, serenity and calculated capriciousness of the African music is disturbed.Now, fright, flight, cacaphony and mayhem can be heard in the music. The rest of the movement reflects the futile efforts of the Africans desperately tying to avoid the chains and shackles of the relentless slavers, ending with the bassoon sounding the nine note motif that signals the unknown future of the captives.2nd movement excerpt2nd Movement:The Middle Passage and TransmutationThis movement opens with a dirge like passage which denotes the captives being stabilised in the bowels of the slave ship, with chains and unyielding leg irons. Sounds of pain are heard at intervals throughout the movement.

Souled American Sonny Rar Extractor Album

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(2000) at Lost Soul or Avaxhome(includes: 'Prayer to the East' (1957); 'Jazz and the Sounds of Nature (1957); 'The Dreamer' (1959); 'The Fabric of jazz' (1959).1955 at Musica Desde Las Antipodas1957 at Jazzdisposition or1957 at AvaxHome1957 at Musica Desde Las Antipodas1957 at Musica Desde Las Antipodas1957 at Daytime Lovers1957 at Taringa or1957 at KingCake Crypt /1958 at Orgy in Rhythm1959 at CIA1959 at Lakasafunk /1959 at Musica Desde Las Antipodas1959 at Jazzdisposition1960 ' (MP3) at Jazz En la Web or1960 (FLAC) at CIA. Said.To continue the series of experimental Lateef here is a kind of crossroad between jazz and classic, some middle east too, review in the zip file says it much better - just to give you an hint. It came from eMule as a flac, decoded wav, mp3 vbr 256 eac-lame.

It’ a double cd, so big file 175 MB If permitted I’d like to share soon also a more classical Lateef that I like, a live set from 2007 at Motor City Jazz, Rose Hall, NY with a fantastic 17 minutes “Morning trilogy” (Charles McPherson, Marcus Belgrave, Wynton Marsalis, Curtis Fuller and more) Good music max.

Lou Donaldson – Lou Takes Off (1957) DAD Reissue 2001FLAC (tracks) 24 bit/96 kHz Time – 38:36 minutes 906 MB Genre: JazzDAD to Hi-Res FLAC – Source: Classic Records’ DAD 1026 No ArtworkThe influence of Charlie Parker can be heard in virtually every modern jazz musician, particularly players of the alto saxophone. Although considered to be one of “Bird’s children,” Lou Donaldson absorbed and synthesized other pre-Parker influences, such as Johnny Hodges and Benny Carter.

This recording marks a period in his development prior to a stylistic shift away from bop and toward a stronger rhythm and blues emphasis. Three up-tempo tunes are pure bebop; the remaining number is a medium blues in B flat, quite characteristic of the hard bop period. The front line on this set includes Donald Byrd and Curtis Fuller; the rhythm section is Sonny Clark, George Joyner, and Art Taylor. Overall, Lou Takes Off breaks no new musical ground, but it is a solid, swinging session of high-caliber playing.Tracklist:01 – Sputnik02 – Dewey Square03 – Strollin’ In04 – Groovin’ HighMusiciansLou Donaldson (alto sax)Donald Byrd (trumpet)Curtis Fuller (trombone)Sonny Clark (piano)George Joyner (bass)Art Taylor (drums)Sourced disc: Classic Records’ DAD 1026That disc is NOT WATERMARKED.Extract Tool: DVD Audio Extractor.All files were fully tagged.Download.